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Merz Trio

Hildegard von Bingen: Hymn O Ignee Spiritus (arr. Merz Trio) 
Robert Schumann: Six Studies in Canonic Form, Op. 56 – III. Andantino (arr. Theodor Kirchner)
Thelonious Monk: Round Midnight (arr. Miles Walter)
Henry Purcell: Hush No More (arr. Merz Trio)
Alma Mahler: Laue Sommernacht (arr. Merz Trio)
Alexander Zemlinsky: Empfängnis (arr. Merz Trio)
Robert Schumann: Piano Trio No. 2 in F Major. Op. 80
Johannes Brahms: Piano Trio No. 1 in B Major, Op. 8


Merz Trio

Brigid Coleridge, violin

Julia Yang, Cello 

Amy Yang, piano


Hailed as “artists in the deepest sense of the word” (CutCommon), Merz Trio, winners of the Naumburg, Concert Artists Guild, Fischoff, and Chesapeake Competitions, have been lauded for their “stunning virtuosity… fresh and surprising interpretations” (Reading Eagle), and “perfection of intonation and ensemble” (Hudson Review). Merz Trio are passionately committed to reshaping the narrative of classical music through vibrantly dynamic programming and wide-ranging interdisciplinary collaboration. Their narrative programming style juxtaposes classical standards, new music, and their own arrangements of familiar and forgotten works, fluidly interwoven and guided with speaking from the Trio’s members. Their interdisciplinary collaborations include ongoing projects with dancer Caroline Copeland, Sandglass Puppet Theater, chef David Bouley, and videographer Chris Kitchen. 


The Trio are equally known for their more immersive integrations of music and text in performance, ranging from their recital-theater piece built around Shakespeare’s Macbeth (“Those Secret Eyes”), to their debut album interweaving Ravel’s Trio with short pieces, poems, and diaries of the era (“Ink,” August, 2021), to be presented in a live concert format (“Ink Spills”) for the 2021-2022 season. Finally, in their prolific arranging, the Trio are committed to uplifting overlooked voices from history, ranging from Hildegard von Bingen to Lili and Nadia Boulanger, from Joséphine Baker to Irish folk melodies. 


In the coming few seasons, Merz Trio look forward to debuts at Merkin Hall in NYC, the Isabella Stewart Gardner Museum in Boston, and the Concertgebouw in Amsterdam, among other notable performances. Merz Trio have been encouraged in their explorations by numerous institutional homes around the world: New England Conservatory, Yellow Barn, Snape Maltings, Avaloch Farm Institute, the Naumburg Foundation, the Lake Champlain, Olympic, and Chesapeake Music Festivals, and the Fischoff Competition, as well as many other venues and hosts around the US, Australia and the UK. They are currently represented by Concert Artists Guild and make their home in Boston.

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