CONCERTS
THE 24/25 SEASON
Bringing the world’s greatest chamber ensembles to Dallas
VIANO QUARTET
February 10, 2025 | 7:30pm
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VIANO QUARTET – 24/25 NEXT GEN ARTISTS
Hao Zhou and Lucy Wang, violins
Aiden Kane, viola
Tate Zawadiuk, cello
Praised for their “virtuosity, visceral expression, and rare unity of intention” (Boston Globe), the Viano Quartet are one of the most sought-after performing young ensembles today and currently in-residence at the Chamber Music Society of Lincoln Center Bowers Program from 2024-2027. Since winning First Prize at the 2019 Banff International String Quartet Competition, they have traveled to nearly every major city across the globe, captivating audiences in New York, London, Berlin, Vancouver, Paris, Beijing,Toronto, Lucerne, and Los Angeles.
The quartet was named the inaugural June Goldsmith Quartet-in-Residence for the Music in the Morning series in Vancouver until 2025, where their focus will be to commission new works and lead extensive community engagement initiatives. The quartet has also held residencies at the Curtis Institute, Colburn Conservatory, Northern Michigan University, and Meadows School of the Arts at Southern Methodist University.
Summer 2023 brings re-invitations to Chamber Music Northwest, the Bravo!Vail Festival and BISQFest, along with appearances at the Intimacy of Creativity Festival in Hong Kong, Ottawa Chamberfest, Minnesota Beethoven Festival, Strings Music Festival, Highlands-Cashiers and Mt. Desert Festivals ofChamber Music, as well as Bay Chamber Concerts. During the 23/24 season the quartet can be heard in Canada, Arizona, Minnesota, Massachusetts, Florida, Pennsylvania, Virginia, North Carolina, Maryland, Utah, New York and California.
The quartet achieved incredible success in their formative years, with an unbroken streak of top prizes at major competitions. In addition to their career-defining achievement at the 2019 Banff InternationalString Quartet Competition, they also received the Grand Prize at the 2019 ENKOR International Music Competition and second prize at the 2019 Yellow Springs Chamber Music Competition. At the 2018 Wigmore Hall International String Quartet Competition they received Third Prize, the Haydn Prize for the best performance of a Haydn quartet, and the Sidney Griller Award for the best performance of the compulsory work, Thomas Ades’ “The Four Quarters”. They received the Silver Medal at the 2018 Fischoff National Chamber Music Competition and Third Prize at the 9th Osaka International Chamber Music Competition in 2017.
The Viano Quartet has collaborated with world-class musicians such as pianists Emanuel Ax, Marc-André Hamelin, Inon Barnatan and Elisso Virsaladze, violists Paul Coletti and Paul Neubauer, violinist Noah Bendix-Balgley, vocalist Hila Plitmann and clarinetist David Shifrin. Their chief mentors include faculty of the Curtis Institute and Colburn Conservatory, as well as members of the Dover, Guarneri, and Tokyo string quartets. Past summers have been spent at the Ravinia Steans Chamber Music Institute, the St. Lawrence String Quartet Seminar, the Festival d’Aix en Provence, the Norfolk Chamber Music Festival,and the McGill International String Quartet Academy.
The name “Viano” was created to describe the four individual instruments in a string quartet interacting as one. Each of the four instruments begins with the letter “v”, and like a piano, all four string instruments together play both harmony and melody, creating a unified instrument called the “Viano”.
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Franz Joseph Haydn: String Quartet in F major, Op. 77 No. 2
Krzysztof Penderecki: String Quartet No. 2
Aaron Jay Kernis: “Adagio” from String Quartet No. 1, “Musica Celestis”
Ludwig van Beethoven: String Quartet No. 8 in E minor, Op. 59 No. 2
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DAVID FINCKEL, CELLO WU HAN, PIANO
March 10, 2025 | 7:30pm
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David Finckel, cello
Wu Han, piano
Cellist David Finckel and pianist Wu Han are the recipients of Musical America’s Musicians of the Year Award, the highest honor bestowed by the organization. They enjoy a multi-faceted musical life that encompasses performing, recording and artistic direction at the highest levels. Their concert activities have taken them from New York’s stages to the most important concert halls in the United States, Europe and Asia. They regularly perform a wide range of music that includes the standard repertoire for cello and piano, commissioned works by living composers, and virtually the entire chamber music literature for their instruments.
In 1997, David Finckel and Wu Han founded ArtistLed, the first internet-based, artist-controlled classical recording label. ArtistLed’s catalog of more than 20 releases includes the standard literature for cello and piano, plus works composed for the duo by George Tsontakis, Gabriela Lena Frank, Bruce Adolphe, Lera Auerbach, Edwin Finckel, Augusta Read Thomas, and Pierre Jalbert. Artistic Directors of the Chamber Music Society of Lincoln Center since 2004, they recently led the 53-year vanguard organization through two pandemic seasons, conceiving and producing over 270 digital events which sustained chamber music communities across the country. A 2022 contract extension positions them to become the longest serving artistic directors in the Society’s history. Founders, and Artistic Directors of Silicon Valley’s Music@Menlo since 2002, the festival’s innovative thematic programming and educational initiatives have set an example that is admired internationally. The festival’s exclusive recording label, Music@Menlo LIVE, has to date released over 130 audiophile-quality CDs.
Passionately dedicated to education for musicians of all ages and experience, the duo was instrumental in transforming the CMS Two Program into today’s Bowers Program, which admits stellar young musicians to the CMS roster for a term of three seasons. They also oversee the Chamber Music Institute at Music@Menlo, which immerses some forty young musicians every summer in the multi-faceted fabric of the festival. The duo was privileged to serve on multiple occasions as a faculty member of Isaac Stern’s Chamber Music Encounters in Israel, New York and Japan. In addition, the Resource section of their website (davidfinckelandwuhan.com/resource) provides, at no cost, a wealth of guidance for students on both music study and careers, as well as invaluable information for arts organizations and individuals on every aspect of concert presenting.
Born in Taiwan, Wu Han came to the United States as a graduate student, where her talent quickly came to the attention of noted musicians. Mentored by legendary pianists such as Lilian Kallir, Menahem Pressler, and Rudolf Serkin, Wu Han thrived at the Marlboro and Aspen Music Festivals and subsequently won the prestigious Andrew Wolf Award. She currently serves as Artistic Advisor for Wolf Trap’s Chamber Music at the Barns series and for Palm Beach’s Society of the Four Arts, and in 2022 was named Artistic Director of La Musica in Sarasota, Florida. David Finckel was raised in New Jersey, where he spent his teenage years winning competitions, among them the Philadelphia Orchestra’s junior and senior divisions, resulting in two performances with the orchestra. The first American student of Mstislav Rostropovich, David Finckel went on to become the cellist of the Emerson String Quartet, which, during David’s 34-season tenure, garnered nine Grammy Awards and the Avery Fisher Prize. David is a professor at both the Juilliard School and Stony Brook University
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Nikolai Myaskovsky: Sonata No. 2 for Cello and Piano in A Minor, Op. 81
Sergei Rachmaninoff: Sonata for Cello and Piano in G minor, Op. 19
Sergei Prokofiev: Sonata for Cello and Piano in C Major, Op. 119
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SHANGHAI QUARTET
April 14, 2025 | 7:30pm
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SHANGHAI QUARTET
Weigang Li and Angelo Xiang Yu, violins
Honggang Li, viola
Sihao He , cello
Over the past forty years the Shanghai Quartet has become one of the world’s foremost chamber ensembles. The Shanghai’s elegant style, impressive technique, and emotional breadth allows the group to move seamlessly between masterpieces of Western music, traditional Chinese folk music, and cutting-edge contemporary works. Formed at the Shanghai Conservatory in 1983, soon after the end of China’s harrowing Cultural Revolution, the group came to the United States to complete its studies; and were based in the U.S. for more than thirty-five years while maintaining a robust touring schedule at leading chamber music series throughout North America, Europe, and Asia.
In September 2020, the Shanghai Quartet moved back to China to join the resident faculty of The Tianjin Juilliard School becoming one of the only Asian-based internationally touring string quartets. In addition to their teaching duties at Tianjin Juilliard, the Shanghai maintains a busy performance schedule throughout China, serves as the ensemble-in-residence with the Shanghai Symphony Orchestra, and as visiting guest professors at the Shanghai Conservatory and Central Conservatory in Beijing, all while maintaining a robust touring presence in North America and around the world.
Recent performance highlights include performances at Carnegie Hall, the Metropolitan Museum of Art, the Freer Gallery (Washington, D.C.), and the Festival Pablo Casals in France, and Beethoven cycles for the Brevard Music Center, the Beethoven Festival in Poland, and throughout China. The Quartet also frequently performs at Wigmore Hall, the Budapest Spring Festival, Suntory Hall, and has collaborations with the NCPA and Shanghai Symphony Orchestras.
Upcoming highlights include the premiere of a new work by Marcos Balter for the Quartet and countertenor Anthony Roth Costanzo for the Phillips Collection, and performances for Clarion Concerts, the Chamber Music Society of Utica, and Chamber Music in Oklahoma. Also this season, the Quartet joins the Shanghai Symphony Orchestra for performances of John Adams’ Absolute Jest for string quartet and orchestra in Shanghai and Beijing. The Quartet’s tour season also includes performances in Shenzhen, Shanghai, and Nanjing, among others, and residencies with the Inner Mongolia and Chengdu Symphonies.
Among innumerable collaborations with eminent artists, they have performed with the Tokyo, Juilliard, and Guarneri Quartets; cellists Yo-Yo Ma and Lynn Harrell; pianists Menahem Pressler, Peter Serkin, Jean-Yves Thibaudet, and Yuja Wang; pipa virtuoso Wu Man; and the vocal ensemble Chanticleer. The Shanghai Quartet appears regularly at many of North America’s most prominent chamber music festivals, including annual performances for Maverick Concerts, the Brevard Music Center, and Music Mountain.
The Shanghai Quartet has a long history of championing new music, with a special interest in works that juxtapose the traditions of Eastern and Western music. The Quartet has commissioned works from an encyclopedic list of the most important composers of our time, including William Bolcom, Sebastian Currier, David Del Tredici, Tan Dun, Vivian Fung, Lowell Lieberman, Zhou Long, Marc Neikrug, Krzysztof Penderecki, Bright Sheng, Chen Yi, and Du Yun. The Quartet had a particularly close relationship with Krzysztof Penderecki; they premiered his third quartet – Leaves From an Unwritten Diary – at the composer’s 75th birthday concert and repeated it again at both his 80th and 85th birthday celebrations. Forthcoming and recent commissions include new works from Judith Weir, Tan Dun, and Wang Lei, in addition to a new work from Penderecki.
The Shanghai Quartet has an extensive discography of more than thirty recordings, ranging from Schumann and Dvořák piano quintets with Rudolf Buchbinder to Zhou Long’s Poems from Tang for string quartet and orchestra with the Singapore Symphony. The Quartet has recorded the complete Beethoven string quartets and is currently recording the complete Bartók quartets.A diverse array of media projects run the gamut from a cameo appearance playing Bartók’s String Quartet No. 4 in Woody Allen’s film Melinda and Melinda to PBS television’s Great Performances series. Violinist Weigang Li appeared in the documentary From Mao to Mozart: Isaac Stern in China, and the family of cellist Nicholas Tzavaras was the subject of the film Music of the Heart, starring Meryl Streep. The Shanghai Quartet is the subject of a full-length documentary film, Behind the Strings that was released in 2020.
The Shanghai Quartet is proudly sponsored by Thomastik-Infeld Strings and BAM Cases.
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Ludwig van Beethoven: String Quartet No. 6 in B-flat major, Op. 18, No. 6 “La Malinconia”
Krzysztof Penderecki: String Quartet No. 3, “Leaves of an Unwritten Diary”
Ludwig van Beethoven: String Quartet No. 9 in C major, Op. 59, No. 3 “Razumovsky”
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Previous Concerts ~
Previous Concerts ~
BRENTANO STRING QUARTET
September 23, 2024 | 7:30pm
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BRENTANO STRING QUARTET
Mark Steinberg and Serena Canin, violins
Misha Amory, viola
Nina Lee, cello
Since its inception in 1992, the Brentano String Quartet has appeared throughout the world to popular and critical acclaim. “Passionate, uninhibited and spellbinding,” raves the London Independent; the New York Times extols its “luxuriously warm sound [and] yearning lyricism”; the Philadelphia Inquirer praises its “seemingly infallible instincts for finding the center of gravity in every phrase and musical gesture”; and the Times (London) opines, “the Brentanos are a magnificent string quartet…This was wonderful, selfless music-making.” The Quartet has performed across five continents in the world’s most prestigious venues, including Carnegie Hall in New York; the Library of Congress in Washington; the Concertgebouw in Amsterdam; the Konzerthaus in Vienna; Tokyo’s Suntory hall; and the Sydney Opera House. Festival appearances include Aspen, the Ojai Music Festival, the Edinburgh Festival, the Kuhmo Festival in Finland, and the Seoul Spring Festival of Chamber Music.
The Quartet has launched numerous projects that reimagine the standard concert program. In 2002, they celebrated their tenth anniversary by commissioning ten composers to write companion pieces for selections from Bach’s Art of Fugue, the result of which was an electrifying and wide-ranging single concert program. Fourteen years later, they revisited Bach’s masterpiece, performing the entire work in an ambitious multimedia project at the 92nd Street Y in New York with dancers, narrated excerpts, and an installation by artist Gabriel Calatrava. Recently, the Quartet presented a second multimedia project at the Y, which juxtaposed the poetry of Wallace Stevens with late Beethoven and music by composer Martin Bresnick. Other projects have included a three-program examination of Late Style, presented at Carnegie Hall; a program surveying the music of lamentation over the last 300 years crowned by Bartók’s Second Quartet; and numerous adaptations of music from Renaissance and early Baroque, including works by Josquin, Gesualdo, Purcell and Monteverdi.
The Quartet has been privileged to collaborate with such artists as soprano Jessye Norman, mezzo-soprano Joyce DiDonato, as well as pianists Jonathan Biss, Richard Goode and Mitsuko Uchida. The Quartet also maintains a strong commitment to new music, and has expanded the quartet canon by commissioning works from some of the most important composers of our time, among them Bruce Adolphe, Matthew Aucoin, Gabriela Frank, Stephen Hartke, Vijay Iyer, Steven Mackey, and Charles Wuorinen. Upcoming commissions and collaborations include a new quartet from Chinese composer Lei Liang; a viola quintet from James MacMillan; and a large-scale dramatic work, “Dido Reimagined,” based on the story of Dido and Aeneas, from composer Melinda Wagner and librettist Stephanie Fleischmann, to be performed with soprano Dawn Upshaw.
Dedicated and highly sought after as educators, the Quartet are currently Artists-in-Residence at the Yale School of Music, where they perform in concert each semester, work closely with students in chamber music contexts, and spearhead the instruction at the Norfolk Chamber Music Festival in the summers. The Quartet has given numerous master classes and workshops across the country, and returns annually to the Taos School of Music as visiting faculty. In 2013 and 2017, the Quartet assisted at the Cliburn International Piano Competition, performing quintets with competitors in the final rounds. Before coming to Yale, the Quartet served for fifteen years as Ensemble-in-Residence at Princeton University.
The Quartet has recorded extensively, releasing discs of quartets by Haydn, Mozart and Beethoven, as well as a recording of the Schubert Cello Quintet with Michael Kannen. The Quartet has also recorded music by several contemporary composers, among them Bruce Adolphe, Chou Wen-chung, Steven Mackey and Charles Wuorinen. The Quartet’s recording of Beethoven’s Quartet, Op. 131 was featured in the film “A Late Quartet,” starring Philip Seymour Hoffman and Christopher Walken, released in 2012. In 2017, they recorded a live album with Joyce DiDonato, “Into the Fire—Live from Wigmore Hall,” which included works by Strauss, Debussy, Guillaume Lekeu and Jake Heggie for Warner Classics. Their most recent release features the K. 428 and K. 465 (“Dissonance”) Quartets of Mozart for the Azica label.
Awards and honors include the first Cleveland Quartet Award (1995); the Naumburg Chamber Music Award (1995); inaugural members of Chamber Music Society Two at the CMS of Lincoln Center (1996); and the Royal Philharmonic Award for Most Outstanding Debut (at Wigmore Hall in 1997.)
The Quartet is named for Antonie Brentano, whom many scholars consider to be Beethoven’s “Immortal Beloved”, the intended recipient of his famous love confession.
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Franz Joseph Haydn: String Quartet in G Major, Op. 33 No. 5, Hob. III:41 – “Russian”
Benjamin Britten: String Quartet No. 2 in C Major, Op. 36
Felix Mendelssohn: String Quartet No. 3 in D Major, Op. 44 No. 1
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FAURÉ QUARTETT
November 11, 2024 | 7:30pm
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FAURÉ QUARTETT
Dirk Mommertz, piano
Erika Geldsetzer, violin
Sascha Frömbling, viola
Konstantin Heidrich, cello
The requirements have changed. Whoever is playing chamber music today can’t be limited to the rules from decades ago. The expectations regarding the diversity of repertoire have changed, which creates room for ensembles like the Faure Quartett, which has established itself as one of the world’s leading piano quartets within just a few years. Dirk Mommertz (piano), Erika Geldsetzer (violin), Sascha Frömbling (viola) and Konstantin Heidrich (cello) use the opportunities arising from these developments. They discover new sound fields in chamber music and perform compositions outside the mainstream repertoire
They are visionary in their approach and highly regarded for their experiments and discoveries; be it performances with the NDR Big Band, collaborations with artists like Rufus Wainwright or Sven Helbig, appearances in clubs like the Berghain, Cocoon Club or “Le Poisson Rouge” in New York or TV shows in KIKA or “Rhapsody in School”, getting children excited in chamber music. When they released their album “Popsongs” in 2009, there was a great deal of buzz in the press and audience. In the following year, the ensemble was awarded the ECHO Classic for their album “classic beyond borders”, their second award after their recording of Brahms’ piano quartets (Chamber Music recording of the year, 2008). Other prizes include the German Music Competition, the ensemble prize from Festspiele Mecklenburg-Vorpommern, international competition and recording awards, Music Prize Duisburg and Brahms prize Schleswig Holstein.
The musicians of the Faure Quartett are pioneers in many ways. After they met during their studies in 1995 in Karlsruhe for the 150th anniversary of Gabriel Faure, they quickly realized, that this combination offered new insights into undiscovered repertoire. In 2006, they signed a contract with Deutsche Grammophon, promoting them to the Champions League of the classic music business. They made highly regarded benchmark-recordings with works by Mozart, Brahms, Mendelssohn and pop songs from Peter Gabriel and Steely Dan as well as works from Mahler and Richard Strauss (Sony Classical). on one album. Currently the quartett is releasing the world’s first-ever recording of Mussorgskys “Pictures at an Exhibition” and Rachmaninovs “Etudes-Tableaux” in their own arrangements on the Berlin Classics label. Worldwide tours raise their profile abroad and international masterclasses are part of their work with students.
The members teach at the universities of Berlin and Munich. Moreover, they were Artistic Directors of “Festspielfrühling Rügen” and are ‘Quartet in Residence’ at the University of Music Karlsruhe. During their tours, the musicians appear in the world’s most important chamber music venues; including Concertgebouw Amsterdam, Alte Oper Frankfurt, Berlin Philharmony, Teatro Colon Buenos Aires and Wigmore Hall London. All these mosaics form a unique profile for this defining chamber music ensemble.
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Franz Schubert: Adagio and Rondo Concertante in F Major, D.487
George Enescu: Piano Quartet No. 1 in D Major, Op.16
Johannes Brahms: Piano Quartet No. 1 in G Minor, Op. 25
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DALLAS SYMPHONY CHAMBER PLAYERS
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DALLAS SYMPHONY CHAMBER PLAYERS
Eunice Keem, violin
Hyunjoo Choo, violin
Meredith Kufchak, viola
MinJi Kim, cello
Emily Levin, harp
Anastasia Markina, piano
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Ernö Dohnányi: Serenade in C Major for String Trio, Op. 10
Camille Saint-Saëns: Fantaisie for Violin and Harp, Op. 124
Claude Debussy: Danse sacrée et Danse profane (for harp and strings)
Ernö Dohnányi: Piano Quintet No. 1 in C Minor, Op. 1
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A contination of our partnership with our artistic neighbors, this performance features principal players from the Dallas Symphony Orchestra.
December 9, 2024 | 7:30pm
